Jon Lee

Bio

Known for his dynamic and expressive playing, pianist Jon Lee has built an international reputation through his commanding presence as a soloist and competition prizewinner. A first-prize laureate at the Cliburn International Amateur Piano Competition and the San Diego International Piano Competition, he has also earned top honors at the Washington International Piano Artists Competition. His concerto and recital appearances have taken him to Symphony Hall in Boston, Bass Hall in Fort Worth, Salle Cortot in Paris, Jack Singer Hall in Calgary, Abravanel Hall in Salt Lake City, Benaroya Hall in Seattle, and the Shalin Liu Performance Center in Rockport, with orchestral collaborations including the Fort Worth Symphony, Boston Pops Orchestra, and Utah Symphony.

Chamber music stands equally at the heart of Jon’s artistry. As a founding member of the Ethea Trio, he has performed across the Bay Area at Noontime Concerts, the UCSF Chancellor’s Concert Series, and Groupmuse. He is a frequent collaborator with leading artists including Kim Kashkashian, Clive Greensmith, the Telegraph Quartet, Jonathan Vinocour, Stella Chen, and Nicholas Phan. He is finishing his Artist Diploma in Chamber Music at the San Francisco Conservatory of Music, studying with Yoshikazu Nagai.

Recent festival appearances include PianoTexas, Sicily International Piano Festival, AIM Paris, and Vivace! International Music Festival. Throughout his career he has worked with distinguished artists such as Jerome Lowenthal, Boris Slutsky, Leon Fleisher, and Russell Sherman.

Beyond performance, Jon is dedicated to shaping the future of classical music through innovation and collaboration. He created the website jazzpianists.org, commissioned contemporary works modeled on Beethoven’s Op. 126 Bagatelles, and developed MusicPodium, an iPad app that streamlines digital score reading. His passion for supporting artists also extends to arts leadership, where he serves as a director for the Hawaiʻi Chamber Music Festival and is a founder of SF Chamber Sessions, which brings chamber music to street-level audiences in San Francisco. Originally from Wisconsin and raised in Utah, Jon is a graduate of MIT in Computer Science and a former engineering manager at Apple.

Concert bio ( words)

Known for his dynamic and expressive playing, pianist Jon Lee has built an international reputation through his commanding presence as a soloist and competition prizewinner. A first-prize laureate at the Cliburn International Amateur Piano Competition and the San Diego International Piano Competition, he has also earned top honors at the Washington International Piano Artists Competition. His concerto and recital appearances have taken him to Symphony Hall in Boston, Bass Hall in Fort Worth, Salle Cortot in Paris, Jack Singer Hall in Calgary, Abravanel Hall in Salt Lake City, Benaroya Hall in Seattle, and the Shalin Liu Performance Center in Rockport, with orchestral collaborations including the Fort Worth Symphony, Boston Pops Orchestra, and Utah Symphony.

Chamber music stands equally at the heart of Jon’s artistry. As a founding member of the Ethea Trio, he has performed across the Bay Area at Noontime Concerts, the UCSF Chancellor’s Concert Series, and Groupmuse. He is a frequent collaborator with leading artists including Kim Kashkashian, Clive Greensmith, the Telegraph Quartet, Jonathan Vinocour, Stella Chen, and Nicholas Phan. He is finishing his Artist Diploma in Chamber Music at the San Francisco Conservatory of Music, studying with Yoshikazu Nagai.

Recent festival appearances include PianoTexas, Sicily International Piano Festival, AIM Paris, and Vivace! International Music Festival. Throughout his career he has worked with distinguished artists such as Jerome Lowenthal, Boris Slutsky, Leon Fleisher, and Russell Sherman.

Beyond performance, Jon is dedicated to shaping the future of classical music through innovation and collaboration. He created the website jazzpianists.org, commissioned contemporary works modeled on Beethoven’s Op. 126 Bagatelles, and developed MusicPodium, an iPad app that streamlines digital score reading. His passion for supporting artists also extends to arts leadership, where he serves as a director for the Hawaiʻi Chamber Music Festival and is a founder of SF Chamber Sessions, which brings chamber music to street-level audiences in San Francisco. Originally from Wisconsin and raised in Utah, Jon is a graduate of MIT in Computer Science and a former engineering manager at Apple.

jonleepiano.com

Short bio ( words)

Known for his dynamic and expressive playing, pianist Jon Lee is a first-prize laureate at the Cliburn International Amateur Piano Competition and the San Diego International Piano Competition, and has also earned top honors at the Washington International Piano Artists Competition. His concerto and recital appearances have taken him to Symphony Hall in Boston, Bass Hall in Fort Worth, Salle Cortot in Paris, and Benaroya Hall in Seattle, with orchestral collaborations including the Fort Worth Symphony, Boston Pops Orchestra, and Utah Symphony.

Chamber music stands equally at the heart of Jon’s artistry. As a founding member of the Ethea Trio, he has performed at Noontime Concerts and the UCSF Chancellor’s Concert Series, and collaborated with artists including Kim Kashkashian, the Telegraph Quartet, and Nicholas Phan. He is finishing his Artist Diploma in Chamber Music at the San Francisco Conservatory of Music, studying with Yoshikazu Nagai.

Beyond performance, Jon serves as a director for the Hawaiʻi Chamber Music Festival and is a founder of SF Chamber Sessions, which brings chamber music to street-level audiences in San Francisco. He also developed MusicPodium, an iPad app for digital score reading. Originally from Wisconsin and raised in Utah, Jon is a graduate of MIT in Computer Science and a former engineering manager at Apple.

jonleepiano.com

Media and photography are available on the media page.

Curriculum Vitae

A condensed CV is available online and as a PDF document. Please inquire by email for a complete version.

Repertoire

Solo

Baroque

Classical

Romantic

Impressionist

Twentieth Century

Concerto

Collaborative

Sonatas

Duos

Chamber

Classical

Romantic

Impressionist

Twentieth Century

Vocal

Sample Programs

Solo

Half program (33m)

  • Handel, Keyboard Suite no. 2 in F major, HWV 427 (8m)
    • Adagio
    • Allegro
    • Adagio
    • Allegro
  • Schumann, Toccata, op. 7 (7m)
  • Schubert/Liszt, Gretchen am Spinnrade (4m)
  • Chopin, Etude in F major, op. 10 no. 8 (3m)
  • Scriabin, Sonata no. 2 in g minor, op. 19 “Sonata-Fantaisie” (11m)
    • Andante
    • Presto

Half program (29m)

  • Scarlatti, Sonata in D major K. 9 (4m)
  • Scarlatti, Sonata in d minor K. 435 (4m)
  • Schubert, Impromptu in B major, op. 142 no. 3 (10m)
  • Chopin, Scherzo no. 2 in b minor, op. 31 (11m)

Full program (75m)

  • Bach, Partita no. 1 in B major, BWV 825 (17m)
    • Praeludium
    • Allemande
    • Corrente
    • Sarabande
    • Menuet I
    • Menuet II
    • Giga
  • Beethoven, Sonata no. 11 in B major, op. 22 (24m)
    • Allegro con brio
    • Adagio con molta espressione
    • Minuetto
    • Rondo. Allegretto
  • Scriabin, Prelude in B major, op. 16 no. 1 (2m)
  • Liszt, Mephisto Waltz no. 1, S. 514 (12m)
  • Prokofiev, Sonata no. 7 in B major, op. 83 (20m)
    • Allegro inquieto
    • Andante caloroso
    • Precipitato

Full program (72m)

  • Beethoven, Six Bagatelles, op. 126 (20m)
    • Andante con moto
    • Allegro
    • Andante
    • Presto
    • Quasi allegretto
    • Presto — Andante amabile e con moto
  • Schubert, Sonata in A major, op. 120 (17m)
    • Allegro moderato
    • Andante
    • Allegro
  • Bach/Rachmaninov, Violin Partita no. 3 in E major for piano (8m)
    • Preludio
    • Gavotte
    • Gigue
  • Chopin, Sonata no. 3 in b minor, op. 58 (27m)
    • Allegro maestoso
    • Scherzo: Molto vivace
    • Largo
    • Finale: Presto non tanto

Collaborative

Full program (57m)

  • Beethoven, Violin Sonata no. 4 in a minor, op. 23 (22m)
  • Ravel, Violin Sonata no. 1, M. 12 “Sonate posthume” (13m)
  • Brahms, Violin Sonata no. 3 in d minor, op. 108 (22m)

Chamber

Full program (55m)

  • Debussy, Piano Trio (22m)
  • Pärt, Mozart-Adagio (7m)
  • Mendelssohn, Piano Trio no. 2 in c minor, op. 66 (26m)

Full program (47m)

  • Corea, Addendum (5m)
  • Jalbert, Piano Trio no. 1 (15m)
  • Ravel, Piano Trio (27m)

Full program (48m)
“A trio sampler”

  • Haydn, Allegro (first movement) from Trio in C major, Hob. XV:27 (8m)
  • Coleridge-Taylor, Selections from Five Negro Melodies for piano trio, op. 59 no. 1 (8m)
    • Sometimes I Feel Like a Motherless Child
    • I Was Way Down A-Yonder
  • Beethoven, Menuetto: Quasi Allegro (third movement) from Trio in C minor, op. 1 no. 3 (4m)
  • Glass, Head-On (5m)
  • Brahms, Andante con moto (second movement) from Trio in C major, op. 87 (8m)
  • Pärt, Mozart-Adagio (7m)
  • Schumann, Mit Feuer (fourth movement) from Trio in D major, op. 63 (8m)

Full program (87m)

  • Mozart, Piano Quartet no. 1 in g minor, K. 478 (26m)
    • Allegro
    • Andante
    • Rondo. Allegro
  • Fauré, Piano Quartet no. 1 in c minor, op. 15 (33m)
    • Allegro molto moderato
    • Scherzo. Allegro vivo
    • Adagio
    • Allegro molto
  • Schumann, Piano Quartet in E-flat major, op. 47 (28m)
    • Sostenuto assai — Allegro ma non troppo
    • Scherzo. Molto vivace
    • Andante cantabile
    • Finale. Vivace